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Mosaic Selects
Ltd. Edition 3 CD Sets
Running Low



“While Mosaic never does wrong, this set is absolutely perfect. Three CDs of Andrew Hill, almost all of it previously unheard by the public. While these sessions probably sat in the vaults to lack of commercial viability at the time, they are every bit as good as Hill's contemporary Blue Note releases that have been released. Some of the lineups are chock full of heavy hitter sidemen- Sam Rivers, Lee Morgan, Woody Shaw, etc. Overall the set is a good indicator of the diversity of Hill's compositonal ideas in the late 60s. He is heard in large group settings, trio settings, and most amazingly working with a string quartet. I find the string quartet sessions to be the most remarkable on the set.” - Customer Review


Mosaic Select: Andrew Hill


"A remarkable burst of creativity over a two week span. Of course the Chet Baker reunion is marvelous. The Vinnie Burke strings are a great complement to Mulligan. I have to admit I was a bit worried about it. To be honest, while I love Gerry, I really bought this set for the Annie Ross session. Just fantastic! Her version of "I Feel Pretty" was worth the price for me. Transcendent.” - Customer Review


Mosaic Select: Gerry Mulligan


“ I've been purchasing Mosaic sets since the 90s and this is among my top five. Tyner's vision comes into focus on these sessions--powerful piano, extended modal songs, Eastern influences, and beautiful melodies. Remastering is top-notch as are the sidemen throughout.” - Customer Review


Mosaic Select: McCoy Tyner

Mosaic Singles
Neglected Gems
Running Low


“This is such a great session. It is still so surprising that this lineup of the Messengers is overlooked and underrated. This lineup deserves to be heralded as one of Blakey's best alongside the Golson/Morgan/Timmons/Merritt '58 and the Shorter/Hubbard/Fuller/Walton/Merritt or Workman '61-'64 lineups. And, of course, this set has all of Mosaic's usual exemplary production hallmarks.” - Customer Review


Art Blakey - Hard Bop


“ The mastering on this disc is fantastic. Excellent sonic clarity all around. That, combined with Lloyd's great sense of melody and forward-thinking songwriting make for a satifsying listening experience. Lloyd's cool and progressive style is a joy, and the interplay between all the band members is superb. Tony Williams was one of the funkiest jazz drummers around, too! Buy this and you will find yourself seeking out more Charles Lloyd. Not to be missed! ” - Customer Review


Charles Lloyd - Of Course, Of Course

Post with Tag: jazz

Documentary: Duke Ellington The Band Leader

In this “Jazz Profile” program over NPR stations, host Nancy Wilson devotes two shows on Duke Ellington as composer. His brilliance extending from popular standards to suites is well known and this feature is a worthy document of his enormous talent.

-Scott Wenzel

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Unknown (well, almost) Don Byas

Once Don Byas left the States for Europe (with Don Redman’s band in September of 1946) it was no turning back. He had found more freedom financially, musically and personally. And although he had made some outstanding records before his departure, Byas blossomed improvisationally while overseas. In 1948 he found himself in Spain, living in Barcelona and enjoying a lower cost of living and absorbing a robust lifestyle. Recently, a recording made for His Master’s Voice surfaced and is the subject of a Crownpropeller blog.

-Scott Wenzel

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Remembering Bebo Valdes, Cuban Music Titan

The Latin jazz world lost one of its key figures with the passing of Bebo Valdes on March 22 at age 94. Valdes, one of the greatest pianists in the history of Cuban popular music, drew gracefully from such disparate sources as Yoruba, western Baroque music and Tatum to forge his unique and deeply influential voice. Larry Blumenfeld tells us more about the impact Valdes registered on Latin music as we know it today.

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Chico Freeman Remembers his Father, Von Freeman

Von Freeman anchored a generation of Chicago musicians on the forefront of a key period, on fertile ground, in the development of American improvisational music. Von Freeman’s bracing sound and singular voice spoke for themselves, but in this profile in JazzTimes, Chico Freeman (pictured above) adds his perspective on his father’s persuasive mentoring of a host of Chicago musicians \u2014 including one young musician in particular.

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Buddy Rich, NYC, New York, 1954

From Morrison Hotel Gallery comes this surreal Bill Gottlieb image of Buddy Rich. Surreal because I expect to see Rich’s drumsticks as one big blur! A case in point is this excerpt of “West Side Story”.

-Scott Wenzel

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Buddy Rich: West Side Story Drum Solo

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Roy Haynes is 88!

March 14 may have been Roy Haynes’s 88th birthday, but he still looks like he’s 40 and plays like he’s 25. Doug Ramsey has posted a very cool version of “Blue ‘N’ Boogie” from 1973 with an eclectic group that includes Cecil Payne, Lee Konitz and Ted Dunbar. It’s a feature for Roy. Check out Jimmy Owens’s hair, a great way to date the film. Incidentally Jimmy now Shaves his head.

-Michael Cuscuna

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Saving the John Coltrane House in Philadelphia

This is a very cool article about Coltrane’s house in North Philly, where he lived from 1952 to ’58 when he moved to New York City. It’s gratifying to see the street named in his honor and the house declared a landmark. I lived in Philly from 1966 to ’70 and these photos remind me of what a three-story city Philadelphia was. I’m sure that’s no longer the case.

-Michael Cuscuna

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Herman Leonard: The Man Behind The Lens

Herman Leonard was not only one of the truly great photographers, but he was also a larger than life character who travelled the world with cameras around his neck and a smile on his face. This 2000 interview on Jerry Jazz Musician gives the reader a true feeling for Herman’s personality. In it, he talks about a recent exhibition in Berlin with the work of Bill Claxton and Bill Gottlieb. Sadly, all three are gone now but they left us a lot of visual jazz history.

-Michael Cuscuna

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The Miles Davis Quintet: Always A Thrill

This killer clip of the Miles Davis quintet with Wayne Shorter, Herbie Hancock, Ron Carter and Tony Williams has to come from the 1967 European tour. It’s four smokin’ minutes of “Agitation” with Tony’s explosive drumming keeping everyone honest.

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Special Sales
Last Chance Offerings
Noteworthy Jazz News

Upcoming Release

John Coltrane (3 LPs)

No Other Complete Session By The Classic Quartet Has Survived


New Releases

Earl Hines (7 CDs)



Classic Earl Hines Sessions 1928-1945 (#254)


Listen To Clips

Play: G.T. Stomp
Play: A Monday Date

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Charles Mingus (7 CDs)



Charles Mingus - The Jazz Workshop Concerts 1964-65 (#253)


One Of Our Most Significant Releases Ever From One Of The Few, True Geniuses - Charles Mingus

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Clifford Brown &
Max Roach (4 LPs)


The Clifford Brown & Max Roach Emarcy Albums (4 LPs)(#3004)


"Brown’s solos, which marry the technical mastery of Dizzy Gillespie, the melodic flow and big sound of Fats Navarro, and a determined optimism all Brown’s own, became touchstones for a generation of young trumpeters; but Roach’s contributions are equally important and made a similar impact." - Bob Blumenthal, liner notes

Recent Releases

Coleman Hawkins

The man whose innovations elevated saxophone to its rightful place in jazz is finally getting the retrospective he deserves.

Classic Coleman Hawkins Sessions 1922-1947 (#251)


Jimmie Lunceford


The Complete Jimmie Lunceford Decca Sessions (#250)

Neglected Swing Giant Lunceford Gets His Ultimate Tribute.

Modern Jazz Quartet


Complete Atlantic Studio Recordings: The Modern Jazz Quartet 1956-1965 (#249)

That sound. One group conceived it. Defined it. Perfected it. The Modern Jazz Quartet was certainly one of the most distinctive voices in the history of jazz.

Jazz Icons (DVDs)



Jazz Icons 6 DVD Box Set: $99.98
Six Stunning Historically Significant Performances

Last Chance

Sonny Stitt:
Last Chance


The Complete Roost Sonny Stitt Studio Sessions (#208)

Pure, Swinging, No-Frills Modern Jazz

Francis Wolff

Limited Edition Photographs


Selected images became the album cover shots for Blue Note's brilliant designer Reid Miles, and are instantly recognized by millions. Now, museum-quality prints in limited editions can be owned forever... But only by a few.

Each image will be made available for one month only. At the end of that month, only the images ordered will be printed and that will be the end of the Limited Edition. The Clifford Brown and the Dexter Gordon photographs have sold out and the next print in this series will be available in June.

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Donate to JFA
   
"... I cannot imagine turning our backs on the very people who gave their lives, their life experiences, and the music to us all these years especially now when they need us most, that's what the Jazz Foundation does." -Quincy Jones