Latter-day Ahmad Jamal, circa 2011
Pianist Ahmad Jamal, playing a fresh version of “One,” recorded at Jazz a Vienne 2011. With James Camack, bass Herlin Riley, drums, and Manolo Badrena, percussion.
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John Lewis: At Home with the Blues
John Lewis’s appearance on Marian McPartland’s Piano Jazz from the first season in 1979 fittingly starts with a wonderful piano blues. I remember being amazed at the Montreux Jazz Festival in the mid ‘70s when Lewis unleashed a soulful set of piano blues. I had always associated him with the Modern Jazz Quartet and jazz interpretations of Bach’s music. But that typecasting came to a quick end that evening.
-Michael Cuscuna
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Read MoreCecil Taylor in brilliant concert form
An all-too-brief, but for the most part, beautifully shot, clip of Cecil Taylor in superb solo form at the Jazz Ost-West Festival in N\u00fcrnberg 1984, Germany. Wish we could provide you with more.
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Renee Rosnes Meets Steve Wilson at the Village Vanguard
NPR’s Live At The Village Vanguard is a well-curated series of performances from one of the most venerated jazz clubs in the world. Alto and soprano saxophonist Steve Wilson and pianist Renee Rosnes first played together in the band OTB in the late ‘80s. Their musical paths have crossed constantly over the past 25 years and their empathy strengthens as this wonderful drummerless performance with bassist Peter Washington attests.
-Michael Cuscuna
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All Ears on Piano Master Kenny Werner
Kenny Werner joins Marian McPartland on this 2007 edition of NPR’s Piano Jazz. Sensitive and forward thinking, Werner has long been regarded as one of the great pianists to emerge in the 1980s, but he has also recently come into his own as a major composer and arranger, thanks to recent ambitious projects on Half Note Records. (Photo by Richard Conde)
-Michael Cuscuna
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Read MoreBill Evans Plays Waltz for Debby
Bill Evans gives a beautiful reading of his most famous composition “Waltz For Debby” on what appears to be an early-to-mid‘60s TV show. Gorgeous performance. With Chuck Israels on bass and Larry Bunker on drums.
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The Day Dollar Brand Met Thelonious Monk
Those of us who grew up listening to South African pianist and composer Abdullah Ibhahim, aka Dollar Brand, assume that the man considered “Africa’s Monk” must have grown up under Thelonious Monk’s influence. According to the prolific Monk biographer Robin Kelley, here is where it started, and how it happened.
-Nick Moy
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Treasured Memories of Sonny Clark
Sam Stephenson, who has been researching and archiving photographer W. Eugene Smith’s amazing tapes of rehearsals and jam sessions at his Manhattan loft, has written this very detailed and poignant essay on the life and death of the great, almost forgotten pianist Sonny Clark. This is a must read, accompanied by a great Francis Wolff photo of Clark and Dexter Gordon.
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Read MoreDuke Ellington, meet Joan Miro
This is magical: Duke Ellington visits a French medieval village overlooking the Cote d’Azur, where he meets another giant: artist Joan Miro. With Miro looking on, Ellington, John Lamb and Sam Woodyard play a new composition that became The Shepherd (Who Watches over the Night Flock). Some fantastic views of Miro’s sculpture. Thanks to Open Culture for pointing to this clip.
-Nick Moy
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Vijay Iyer: Don’t Write Off Jazz Yet
To followers of pianist Vijay Iyer, it’s no surprise that his latest trio recording, Accelerando, has been showing up left and right on critics’ year-end Ten Best lists this year. Check out this astonishingly wide-ranging interview with Iyer, including his ruminations on the state of jazz, from CitySoundInertia earlier this year. Iyer’s penetrating intelligence, razor-sharp perception and expansive passion are everywhere, cooking on all burners.
-Nick Moy
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