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Mosaic Selects
Ltd. Edition 3 CD Sets
Running Low



“While Mosaic never does wrong, this set is absolutely perfect. Three CDs of Andrew Hill, almost all of it previously unheard by the public. While these sessions probably sat in the vaults to lack of commercial viability at the time, they are every bit as good as Hill's contemporary Blue Note releases that have been released. Some of the lineups are chock full of heavy hitter sidemen- Sam Rivers, Lee Morgan, Woody Shaw, etc. Overall the set is a good indicator of the diversity of Hill's compositonal ideas in the late 60s. He is heard in large group settings, trio settings, and most amazingly working with a string quartet. I find the string quartet sessions to be the most remarkable on the set.” - Customer Review


Mosaic Select: Andrew Hill


"A remarkable burst of creativity over a two week span. Of course the Chet Baker reunion is marvelous. The Vinnie Burke strings are a great complement to Mulligan. I have to admit I was a bit worried about it. To be honest, while I love Gerry, I really bought this set for the Annie Ross session. Just fantastic! Her version of "I Feel Pretty" was worth the price for me. Transcendent.” - Customer Review


Mosaic Select: Gerry Mulligan


“ I've been purchasing Mosaic sets since the 90s and this is among my top five. Tyner's vision comes into focus on these sessions--powerful piano, extended modal songs, Eastern influences, and beautiful melodies. Remastering is top-notch as are the sidemen throughout.” - Customer Review


Mosaic Select: McCoy Tyner

Mosaic Singles
Neglected Gems
Running Low


“This is such a great session. It is still so surprising that this lineup of the Messengers is overlooked and underrated. This lineup deserves to be heralded as one of Blakey's best alongside the Golson/Morgan/Timmons/Merritt '58 and the Shorter/Hubbard/Fuller/Walton/Merritt or Workman '61-'64 lineups. And, of course, this set has all of Mosaic's usual exemplary production hallmarks.” - Customer Review


Art Blakey - Hard Bop


“ The mastering on this disc is fantastic. Excellent sonic clarity all around. That, combined with Lloyd's great sense of melody and forward-thinking songwriting make for a satifsying listening experience. Lloyd's cool and progressive style is a joy, and the interplay between all the band members is superb. Tony Williams was one of the funkiest jazz drummers around, too! Buy this and you will find yourself seeking out more Charles Lloyd. Not to be missed! ” - Customer Review


Charles Lloyd - Of Course, Of Course

“Seaman John Coltrane, reporting for duty, sir!”

Would the history of American music have been different, if John Coltrane had stayed in the Navy way past his enlistment date of 1945? Read this and speculate.

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Miraculous: Musical Treasures of Roy Eldridge Salvaged from Hurricane Sandy

It’s amazing that musical goldmines like this are still being located worldwide. This latest rescue mission involved recordings and tapes from the collection of Roy Eldridge and Columbia University’s radio station stalwarts, Phil Schaap and Ben Young. I heard some of these recordings during WKCR’s Roy Eldridge birthday festival and they are remarkable treasures.

-Scott Wenzel

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Old and New Dreams: Carrying the Flag for Ornette Coleman’s Tradition

Four major exponents of the music of Ornette Coleman — trumpeter Don Cherry, reed player Dewey Redman, bassist Charlie Haden and drummer Ed Blackwell — carried the flag for Ornette Coleman’s music in their group, Old and New Dreams. Here, they are captured playing Ornette’s composition “Happy House.” The mastery of all is clear on this recording; yet only Charlie Haden, now in ill health, lives today.

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Treasure Trove of Sun Ra, as Close as Chicago

We’ve encountered many in our travels who just cannot get enough of Sun Ra. These enthusiasts are in luck: they need journey no further than Chicago to dive into an impressive collection of research materials on Sun Ra (“Sunrabelia,” perhaps?) spanning the period from 1945 to 1961. This looks more than promising: someday, we may book a vessel for our own visit.

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Not Just any Conductor: Butch Morris RIP

Conductor Butch Morris died on January 29. Yet Butch Morris was not just any conductor; he practiced conduction: conducting as an improvisational art. In this NPR interview, he clearly, concisely and patiently explains his art form of conduction. As you would expect, Butch Morris’s charismatic personality informed his singular art. Will conduction as a practicing art form go into eclipse with his departure? We hope not.

-Nick Moy

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Roy Eldridge and Anita O’Day, Together

To wrap up our day honoring the birthday of Roy Eldridge, here’s an often seen Soundie, featuring the 1941 Gene Krupa band with Anita O’Day and Roy Eldridge recreating their OKeh Records hit of “Let Me Off Uptown.” Although this particular clip does not have the original beginning credits, it does carry the banter by Anita and Roy before the first vocal chorus. Some prints of this have that portion excised (possibly for those Soundie machines down South).

Thanks for joining our day-long serial Roy Eldridge birthday observance.

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Roy Eldridge’s Way with a Ballad

Roy’s improvisations retain legendary status when it comes to uptempo numbers (he was a formidable figure at jam sessions), yet he was equally fiery on ballads. Here’s a recreation of his famous 1941 recording of “Rockin’ Chair” with the Gene Krupa band. This version is from a 1956 Verve LP, with a studio group led by Krupa.

Posts on Roy Eldridge here on the Gazette throughout the day, to celebrate Roy Eldridge’s birthday!

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Memories of Roy Eldridge: From his Biographer, but We Remember Too

Trailblazer is an appropriate term when describing Roy Eldridge. I was lucky enough to hear him at Jimmy Ryans and was even invited to his 66th surprise birthday party in a place called Little Richards in Port Chester, N.Y. When I bumped into him a few weeks later in the City he immediately recognized this 16 year old and we chatted for awhile. John Chilton recalls much of the “Little Jazz” persona in this interview.

One of my favorites is the alternate take of “Wabash Stomp” which I heard for the first time on a WKCR Eldridge festival back in the mid-1970s. The master take is heard in this YouTube clip.

-Scott Wenzel

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More posts on Roy Eldridge here on the Gazette throughout the day, to celebrate his birthday!

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Roy Eldridge, All Day on WKCR

Here is a must for anyone interested in Roy Eldridge and his music: WKCR Radio’s Roy Eldridge Birthday Broadcast, all day January 30. Listen at 89.9 FM in the New York City region, or stream online at wkcr.org. Phil Schaap, who should know, divulges that the broadcast will include “the live broadcast of Roy in various discussions at The West End on his 76th birthday (1/30/1987) will be aired at 8:20am ET and a much longer interview done on his 77th birthday (1/30/1988) will be aired at 6:00pm ET.” Eldridge interviews are pretty scarce, so listen in, immerse yourelf, and enjoy.

More posts on Roy Eldridge here on the Gazette throughtout the day!

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Happy Birthday, Roy Eldridge

Today we celebrate the birthday of jazz trumpet great Roy Eldridge, born January 30, 1911, who would have been 102 years old today. Throughout the day today, the Daily Jazz Gazette wil be posting features on Roy Eldridge, reflecting on his life, his music and his legacy. To get the festivities under way, this feature shares this brief biography of Eldridge.

Scott Wenzel comments:

Roy Eldridge was a champion trumpeter and vocalist whose legacy, prescribed through the years by critics and historians, was that of being the link between Louis Armstrong and Dizzy Gillespie. Although there were many others who could lay claim to being a link, Eldridge certainly was in the upper echelon in terms of technique and range and most certainly was a major idol and inspiration to many.  

More on Roy Eldridge to come.

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Special Sales
Last Chance Offerings
Noteworthy Jazz News

Upcoming Release

John Coltrane (3 LPs)

No Other Complete Session By The Classic Quartet Has Survived


New Releases

Earl Hines (7 CDs)



Classic Earl Hines Sessions 1928-1945 (#254)


Listen To Clips

Play: G.T. Stomp
Play: A Monday Date

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Charles Mingus (7 CDs)



Charles Mingus - The Jazz Workshop Concerts 1964-65 (#253)


One Of Our Most Significant Releases Ever From One Of The Few, True Geniuses - Charles Mingus

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Clifford Brown &
Max Roach (4 LPs)


The Clifford Brown & Max Roach Emarcy Albums (4 LPs)(#3004)


"Brown’s solos, which marry the technical mastery of Dizzy Gillespie, the melodic flow and big sound of Fats Navarro, and a determined optimism all Brown’s own, became touchstones for a generation of young trumpeters; but Roach’s contributions are equally important and made a similar impact." - Bob Blumenthal, liner notes

Recent Releases

Coleman Hawkins

The man whose innovations elevated saxophone to its rightful place in jazz is finally getting the retrospective he deserves.

Classic Coleman Hawkins Sessions 1922-1947 (#251)


Jimmie Lunceford


The Complete Jimmie Lunceford Decca Sessions (#250)

Neglected Swing Giant Lunceford Gets His Ultimate Tribute.

Modern Jazz Quartet


Complete Atlantic Studio Recordings: The Modern Jazz Quartet 1956-1965 (#249)

That sound. One group conceived it. Defined it. Perfected it. The Modern Jazz Quartet was certainly one of the most distinctive voices in the history of jazz.

Jazz Icons (DVDs)



Jazz Icons 6 DVD Box Set: $99.98
Six Stunning Historically Significant Performances

Last Chance

Sonny Stitt:
Last Chance


The Complete Roost Sonny Stitt Studio Sessions (#208)

Pure, Swinging, No-Frills Modern Jazz

Francis Wolff

Limited Edition Photographs


Selected images became the album cover shots for Blue Note's brilliant designer Reid Miles, and are instantly recognized by millions. Now, museum-quality prints in limited editions can be owned forever... But only by a few.

Each image will be made available for one month only. At the end of that month, only the images ordered will be printed and that will be the end of the Limited Edition. The Clifford Brown and the Dexter Gordon photographs have sold out and the next print in this series will be available in June.

Help Support Jazz


Donate to JFA
   
"... I cannot imagine turning our backs on the very people who gave their lives, their life experiences, and the music to us all these years especially now when they need us most, that's what the Jazz Foundation does." -Quincy Jones