George Russell on the Future of Jazz
In this excerpt from a 1958 television interview by Gilbert Seldes on the television series “The Subject is Jazz,” 55 years ago, composer and arranger George Russell speculates on the future of jazz from his perspective of exploring tonality. Russell enlists Coleman Hawkins and Lester Young to assist in his explanation.
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Coleman Hawkins – A Jazz Master And Musical Pioneer
This NPR Blog Supreme celebrates the long career of Coleman Hawkins, whom Jon Hendricks once introduced as “the man for whom Adolphe Sax invented the instrument.” Once you’re done with these career spanning examples, dive into our Classic Coleman Hawkins Sessions 1922-47 (Mosaic MD8-251).
-Michael Cuscuna
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”Creator of masterpieces by which all jazz tenor saxophone solos will forever be judged.”
This 1962 Down Beat article by Stanley Dance was done during a very productive and fertile time in Coleman Hawkins’s creative life. His chops were in great shape and his mind was still active and open. In 1961, he was planning an album of orchestrations by Booker Little, a project cut short by the trumpeter’s death. He finally got to record with Duke Ellington and the results were spectacular. He was making his own excellent albums on Impulse and touring with Roy Eldridge. The man was a living legend by then but constantly growing.
-Michael Cuscuna
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