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Mosaic Selects
Ltd. Edition 3 CD Sets
Running Low



“While Mosaic never does wrong, this set is absolutely perfect. Three CDs of Andrew Hill, almost all of it previously unheard by the public. While these sessions probably sat in the vaults to lack of commercial viability at the time, they are every bit as good as Hill's contemporary Blue Note releases that have been released. Some of the lineups are chock full of heavy hitter sidemen- Sam Rivers, Lee Morgan, Woody Shaw, etc. Overall the set is a good indicator of the diversity of Hill's compositonal ideas in the late 60s. He is heard in large group settings, trio settings, and most amazingly working with a string quartet. I find the string quartet sessions to be the most remarkable on the set.” - Customer Review


Mosaic Select: Andrew Hill


"A remarkable burst of creativity over a two week span. Of course the Chet Baker reunion is marvelous. The Vinnie Burke strings are a great complement to Mulligan. I have to admit I was a bit worried about it. To be honest, while I love Gerry, I really bought this set for the Annie Ross session. Just fantastic! Her version of "I Feel Pretty" was worth the price for me. Transcendent.” - Customer Review


Mosaic Select: Gerry Mulligan


“ I've been purchasing Mosaic sets since the 90s and this is among my top five. Tyner's vision comes into focus on these sessions--powerful piano, extended modal songs, Eastern influences, and beautiful melodies. Remastering is top-notch as are the sidemen throughout.” - Customer Review


Mosaic Select: McCoy Tyner

Mosaic Singles
Neglected Gems
Running Low


“This is such a great session. It is still so surprising that this lineup of the Messengers is overlooked and underrated. This lineup deserves to be heralded as one of Blakey's best alongside the Golson/Morgan/Timmons/Merritt '58 and the Shorter/Hubbard/Fuller/Walton/Merritt or Workman '61-'64 lineups. And, of course, this set has all of Mosaic's usual exemplary production hallmarks.” - Customer Review


Art Blakey - Hard Bop


“ The mastering on this disc is fantastic. Excellent sonic clarity all around. That, combined with Lloyd's great sense of melody and forward-thinking songwriting make for a satifsying listening experience. Lloyd's cool and progressive style is a joy, and the interplay between all the band members is superb. Tony Williams was one of the funkiest jazz drummers around, too! Buy this and you will find yourself seeking out more Charles Lloyd. Not to be missed! ” - Customer Review


Charles Lloyd - Of Course, Of Course

Post with Tag: vinyl

Memories of a Classic Jazz Record Shop

For many of us, the music we own, and particularly the records we own, are inseparable from where we bought them. For those of us who roamed record shops in our youth, images that leapt out from the bins and walls of those shops, not to mention the music we heard in those shops, remain intertwined with our impressions of music we still love today. Richard Williams offers this blog post on one jazz record he cherishes, and one special shop where he bought it.

-Nick Moy

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records , vinyl , jazz , London , Dobell's

Rejoicing on the Analog Planet

The analog jazz galaxy saw some form of convergence in the past week: a high-end hi-fi show, replete with turntables, descended on New York City; Michael Fremer, the mastermind behind Analog Planet, the website about matters analogic, delivered good news on jazz station WBGO about the outlook for vinyl; and vinyl lovers greeted news of Mosaic’s upcoming John Coltrane Complete Sun Ship Session release with rejoicing. Listen to Michael Fremer’s interview, waxing lyrical about his lifetime of collecting jazz on vinyl. (In the photo, Fremer and WBGO’s Doug Doyle tussle over Mosaic’s Sonny Stitt set.)

-Nick Moy

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Robert Crumb’s Obsession with Records

Looks like those of us addicted to collecting records, and jazz records in particular, are in even more distinguished company. Here’s an interview from Discoholic Corner with celebrated cartoon artist Robert Crumb, who is forthright in divulging his obsession.

-Nick Moy

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A Short Post On Tracking Down Blue Note LPs

This “Tracking Tres Blue Notes” post on Jazz Collector and the ensuing comments show just how complicated and high stakes collecting jazz LPs can be. This site is full of great topics and tips like “$1,000 Records” and “Collecting Tips.” Be careful; record collecting is highly addictive and definitely hazardous to your marriage.

-Michael Cuscuna

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Jazz , LPs , records , vinyl , collectors , Blue Note

Preserving the Nation’s Sound Archives: Track One

The Library of Congress has just announced a plan to preserve the nation’s audio archives. An admirable commitment from the standpoint of music lovers, and perhaps a good starting point, but Tom Cole’s NPR report raises a host of questions -– technical, legal, maybe political — about how this will actually happen. One such issue that lovers of vinyl might raise: is a digital copy really the best way to preserve sound? What do you think?

-Nick Moy

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Behind the New Romance of Music Buyers with Vinyl Records

I knew something was up, when my neighbor’s teenage son starting coming home carrying used vinyl jazz records he’d bought. (That day: Herbie Hancock’s Headhunters.) Now the news is spreading: more listeners across the country, and notably, young listeners, are buying music on vinyl –- and the gear to play it. This article from USA Today lays out some of the reasons why interest in vinyl is on the upswing – and why I’m planning to keep my records.

-Nick Moy

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Special Sales
Last Chance Offerings
Noteworthy Jazz News

Upcoming Release

John Coltrane (3 LPs)

No Other Complete Session By The Classic Quartet Has Survived


Complete Sun Ship Sessions (#3005)
3 LP Limited Edition Collection


2 CD Set Also Available From Verve Records


New Releases

Earl Hines (7 CDs)



Classic Earl Hines Sessions 1928-1945 (#254)


Listen To Clips

Play: G.T. Stomp
Play: A Monday Date

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Charles Mingus (7 CDs)



Charles Mingus - The Jazz Workshop Concerts 1964-65 (#253)


One Of Our Most Significant Releases Ever From One Of The Few, True Geniuses - Charles Mingus

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Clifford Brown &
Max Roach (4 LPs)


The Clifford Brown & Max Roach Emarcy Albums (4 LPs)(#3004)


"Brown’s solos, which marry the technical mastery of Dizzy Gillespie, the melodic flow and big sound of Fats Navarro, and a determined optimism all Brown’s own, became touchstones for a generation of young trumpeters; but Roach’s contributions are equally important and made a similar impact." - Bob Blumenthal, liner notes

Recent Releases

Coleman Hawkins

The man whose innovations elevated saxophone to its rightful place in jazz is finally getting the retrospective he deserves.

Classic Coleman Hawkins Sessions 1922-1947 (#251)


Jimmie Lunceford


The Complete Jimmie Lunceford Decca Sessions (#250)

Neglected Swing Giant Lunceford Gets His Ultimate Tribute.

Modern Jazz Quartet


Complete Atlantic Studio Recordings: The Modern Jazz Quartet 1956-1965 (#249)

That sound. One group conceived it. Defined it. Perfected it. The Modern Jazz Quartet was certainly one of the most distinctive voices in the history of jazz.

Jazz Icons (DVDs)



Jazz Icons 6 DVD Box Set: $99.98
Six Stunning Historically Significant Performances

Last Chance

Sonny Stitt:
Last Chance


The Complete Roost Sonny Stitt Studio Sessions (#208)

Pure, Swinging, No-Frills Modern Jazz

Francis Wolff

Limited Edition Photographs


Selected images became the album cover shots for Blue Note's brilliant designer Reid Miles, and are instantly recognized by millions. Now, museum-quality prints in limited editions can be owned forever... But only by a few.

Each image will be made available for one month only. At the end of that month, only the images ordered will be printed and that will be the end of the Limited Edition. The Clifford Brown and the Dexter Gordon photographs have sold out and the next print in this series will be available in June.

Help Support Jazz


Donate to JFA
   
"... I cannot imagine turning our backs on the very people who gave their lives, their life experiences, and the music to us all these years especially now when they need us most, that's what the Jazz Foundation does." -Quincy Jones