\u003Ch2\u003EJazz Experts Sound Off on “The Great Gatsby”\u003C/h2\u003E
\u003Cp\u003EThe line has been forming for people who have something to say about Baz Luhrmann’s new film \u003Cem\u003EThe Great Gatsby\u003C/em\u003E. Not surprisingly for a story based on the Jazz Age, the jazz world has been eager to find out how the film measures up. \u003Cem\u003EThe Atlantic\u003C/em\u003E asked jazz scholars to weigh in with their views of the film’s soundtrack, and its fidelity to F. Scott Fitzgerald’s story and the age it depicts. Check out their reactions.\u003C/p\u003E
\u003Cp\u003E\u003Ca class=\u0022content\u0022 href=\u0022http://www.theatlanticwire.com/entertainment/2013/05/great-gatsby-soundtrack-reviews/64831/\u0022 target=\u0022_blank\u0022\u003ERead Article…\u003C/a\u003E\u003C/p\u003E
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Preserving the Nation’s Sound Archives: Track One
The Library of Congress has just announced a plan to preserve the nation’s audio archives. An admirable commitment from the standpoint of music lovers, and perhaps a good starting point, but Tom Cole’s NPR report raises a host of questions -– technical, legal, maybe political — about how this will actually happen. One such issue that lovers of vinyl might raise: is a digital copy really the best way to preserve sound? What do you think?
-Nick Moy
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