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Ltd. Edition 3 CD Sets
Running Low
“While Mosaic never does wrong, this set is absolutely perfect. Three CDs of Andrew Hill, almost all of it previously unheard by the public. While these sessions probably sat in the vaults to lack of commercial viability at the time, they are every bit as good as Hill's contemporary Blue Note releases that have been released. Some of the lineups are chock full of heavy hitter sidemen- Sam Rivers, Lee Morgan, Woody Shaw, etc. Overall the set is a good indicator of the diversity of Hill's compositonal ideas in the late 60s. He is heard in large group settings, trio settings, and most amazingly working with a string quartet. I find the string quartet sessions to be the most remarkable on the set.” - Customer Review
"A remarkable burst of creativity over a two week span. Of course the Chet Baker reunion is marvelous. The Vinnie Burke strings are a great complement to Mulligan. I have to admit I was a bit worried about it. To be honest, while I love Gerry, I really bought this set for the Annie Ross session. Just fantastic! Her version of "I Feel Pretty" was worth the price for me. Transcendent.” - Customer Review
“ I've been purchasing Mosaic sets since the 90s and this is among my top five. Tyner's vision comes into focus on these sessions--powerful piano, extended modal songs, Eastern influences, and beautiful melodies. Remastering is top-notch as are the sidemen throughout.” - Customer Review
Mosaic Singles
Neglected Gems
Running Low
“This is such a great session. It is still so surprising that this lineup of the Messengers is overlooked and underrated. This lineup deserves to be heralded as one of Blakey's best alongside the Golson/Morgan/Timmons/Merritt '58 and the Shorter/Hubbard/Fuller/Walton/Merritt or Workman '61-'64 lineups. And, of course, this set has all of Mosaic's usual exemplary production hallmarks.” - Customer Review
“ The mastering on this disc is fantastic. Excellent sonic clarity all around. That, combined with Lloyd's great sense of melody and forward-thinking songwriting make for a satifsying listening experience. Lloyd's cool and progressive style is a joy, and the interplay between all the band members is superb. Tony Williams was one of the funkiest jazz drummers around, too! Buy this and you will find yourself seeking out more Charles Lloyd. Not to be missed! ” - Customer Review
Track Listing, Personnel & Recording Dates
The Complete Thelonious Monk At The It Club (MRLP-3001)
DISCOGRAPHY:
Record One
Side A
1. Blue Monk (11:18)
(Thelonious Monk)
2. Well, You Needn’t (9:17)
(Thelonious Monk)
Record One
Side B
1. ‘Round Midnight (6:32)
(Hanighen-Monk-Williams)
2. Rhythm-a-ning (10:09)
(Thelonious Monk)
3. Epistrophy (theme- Saturday set one) (0:58)
(K. Clarke-T. Monk)
Record Two
Side A
1. Blues Five Spot (10:13)
(Thelonious Monk)
2. Bemsha Swing (8:34)
(D. Best-T. Monk)
Record Two
Side B
1. Straight No Chaser (7:15)
(Thelonious Monk)
2. Epistrophy (theme – Saturday set two) (1:05)
(K. Clarke-T. Monk)
3. Evidence (8:37)
(Thelonious Monk)
Record Three
Side A
1. Sweet And Lovely (10:33)
(Arnheim-Tobias-Daniels)
2. Nutty (10:48)
(Thelonious Monk)
3. Epistrophy (theme – Saturday set three) (1:00)
(K. Clarke-T. Monk)
Record Three
Side B
1. Teo (10:54)
(Thelonious Monk)
2. I’m Getting Sentimental Over You (12:28)
(G. Bassman-N. Washington)
3. Epistrophy (theme – Sunday set one) (0:56)
(K. Clarke-T. Monk)
Record Four
Side A
1. Misterioso (8:22)
(Thelonious Monk)
2. Gallop’s Gallop (5:17)
(Thelonious Monk)
3. Ba-lue Bolivar Ba-lues-are (9:01)
(Thelonious Monk)
4. Epistrophy (theme – Sunday set two) (0:59)
(K. Clarke-T. Monk)
Record Four
Side B
1. Bright Mississippi (9:45)
(Thelonious Monk)
2. Just You, Just Me (6:14)
(J. Greer-R. Klages)
3. All The Things You Are (6:40)
(O. Hammerstein II-J. Kern)
4.. Epistrophy (theme – Sunday set three) (1:09)
(K. Clarke-T. Monk)
DISCOGRAPHY
Charlie Rouse, tenor sax; Thelonious Monk, piano; Larry Gales, bass; Ben Riley, drums.
The It Club, Los Angeles, October 31, 1964
Set one:
Blue Monk C2-38030*
Well
You Needn’t
C2-38030*
‘Round Midnight C2-38030*
Rhythm-a-ning C2-38030*
CO 86116 Epstrophy (theme) previously unissued
Set two:
CO 85128 Body And Soul C2-38030*
CO 85127 Bemsha Swing C2-38030*
CO 85126
Straight No Chaser
C2-38030*
CO 86116 Epstrophy (theme) previously unissued
Set three:
CO 85123 Evidence C2-38030*
CO 85124 Sweet And Lovely previously unissued
CO 85125 Nutty C2-38030*
CO 86116 Epstrophy (theme)
The It Club, Los Angeles, November 1, 1964
Set one:
CO 85121 Teo
CO 85122 I’m Getting Sentimental Over You CS-9216*
CO 86116 Epstrophy (theme) previously unissued
Set two:
CO 85119 Misterioso C2-38030
CO 85120 Gallop’s Gallop C2-38030
CO 85118
Ba-lue Bolivar Ba-lues-are
C2-38030*
CO 86116 Epstrophy (theme) previously unissued
Set three:
CO 85117 Bright Mississippi
CO 85114 Just You, Just Me
CO 85115 All The Things You Are CS-9216*
CO 86116 Epstrophy (theme) CS-9216*
All titles, except those labeled previously unissued, were issued on the 2-CD set “Thelonious Monk – Live At The It Club-Complete” (Columbia C2K-65288).
An asterisk next to an LP number indicates that its initial LP release was edited. Columbia CS 9216 was titled “Misterioso.” C2-38030 was entitled “Live At The It Club.”
Original sessions produced by Teo Macero
Produced for release by Michael Cuscuna
Remixed from the original three-track tapes by Mark Wilder, Battery Studios.
Mastered by Kevin Gray at AcousTech
All photographs by Don Hunstein, courtesy of Sony Entertainment.
Special thanks to Mike Panico, Sony Archives.
Design direction: Richard Mantel
Design production: InkWell, Inc.
This compilation
(p) 2008 SONY BMG MUSIC ENTERTAINMENT /Manufactured by SONY BMG
MUSIC
ENTERTAINMENT, 550 Madison Avenue, New York, NY 10022-3211/WARNING
All Rights
Reserved. Unauthorized duplication is a violation of applicable
laws.
© 2008 Mosaic Records L.L.C., 35 Melrose Place, Stamford,
CT 06902. All rights reserved.
Phone: 203-327-7111/Fax 203-323-3526/ Website:
www.mosaicrecords.com.
Producer’s note: The unidentified Columbia remote recording engineer who tapes these performances at the It Club, then LA’s hippest jazz club, did an excellent job. Throughout these performances though, the recording quality varies as a result of the musicians’ proximity to their microphones. This is particularly true in the case of Charlie Rouse. In mixing these performances, Mark Wilder has gone to considerable lengths to compensate for those off-mic moments.





