Mosaic Records - Mosaic Select: Bobby Hutcherson (MS-026)

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Mosaic Selects
Ltd. Edition 3 CD Sets
Running Low

“While Mosaic never does wrong, this set is absolutely perfect. Three CDs of Andrew Hill, almost all of it previously unheard by the public. While these sessions probably sat in the vaults to lack of commercial viability at the time, they are every bit as good as Hill's contemporary Blue Note releases that have been released. Some of the lineups are chock full of heavy hitter sidemen- Sam Rivers, Lee Morgan, Woody Shaw, etc. Overall the set is a good indicator of the diversity of Hill's compositonal ideas in the late 60s. He is heard in large group settings, trio settings, and most amazingly working with a string quartet. I find the string quartet sessions to be the most remarkable on the set.” - Customer Review

Mosaic Select: Andrew Hill

"A remarkable burst of creativity over a two week span. Of course the Chet Baker reunion is marvelous. The Vinnie Burke strings are a great complement to Mulligan. I have to admit I was a bit worried about it. To be honest, while I love Gerry, I really bought this set for the Annie Ross session. Just fantastic! Her version of "I Feel Pretty" was worth the price for me. Transcendent.” - Customer Review

Mosaic Select: Gerry Mulligan

“ I've been purchasing Mosaic sets since the 90s and this is among my top five. Tyner's vision comes into focus on these sessions--powerful piano, extended modal songs, Eastern influences, and beautiful melodies. Remastering is top-notch as are the sidemen throughout.” - Customer Review

Mosaic Select: McCoy Tyner

Mosaic Singles
Neglected Gems
Running Low

“This is such a great session. It is still so surprising that this lineup of the Messengers is overlooked and underrated. This lineup deserves to be heralded as one of Blakey's best alongside the Golson/Morgan/Timmons/Merritt '58 and the Shorter/Hubbard/Fuller/Walton/Merritt or Workman '61-'64 lineups. And, of course, this set has all of Mosaic's usual exemplary production hallmarks.” - Customer Review

Art Blakey - Hard Bop

“ The mastering on this disc is fantastic. Excellent sonic clarity all around. That, combined with Lloyd's great sense of melody and forward-thinking songwriting make for a satifsying listening experience. Lloyd's cool and progressive style is a joy, and the interplay between all the band members is superb. Tony Williams was one of the funkiest jazz drummers around, too! Buy this and you will find yourself seeking out more Charles Lloyd. Not to be missed! ” - Customer Review

Charles Lloyd - Of Course, Of Course

Track Listing, Personnel & Recording Dates

Mosaic Select: Bobby Hutcherson (MS-026)

Mosaic Select: Bobby Hutcherson (MS-026)
3 CDs - $44.00

DISCOGRAPHY:

Printable Version

DISC ONE
1. Rosewood (A) 7:38
(Woody Shaw)
2. Even Later (A) 8:55
(Bobby Hutcherson)
3. Wrong Or Right (A) 7:24
(Bobby Hutcherson)
4. Zuri Dance (A) 8:23
(Bobby Hutcherson)
5. Cirrus (A) 7:16
(Bobby Hutcherson)
6. Cowboy Bob (B) 9:30
(Bobby Hutcherson)
7. Searchin' The Trane (B) 8:02
(Bobby Hutcherson)
8. Inner Glow (B) 7:56
(George Cables)
9. Roses Poses (B) 7:19
(Bobby Hutcherson)

DISC TWO
1. Boodaa (B) 10:05
(Bobby Hutcherson)
2. Waiting (C) 7:05
(James Leary III)
3. Prime Thought (C) 7:12
(James Leary III)
4. Roses Poses (C) 6:27
(Bobby Hutcherson)
5. Don't Be Afraid (To Fall In Love Again) (C) 7:13
(James Leary III)
6. Searchin' The Trane (C) 9:33
(Bobby Hutcherson)
7. Hangin' Out (With You) (C) 4:22
(James Leary III)
8. Convergence (Coming In Again) (C) 5:15
(James Leary III)
9. Later, Even (D) 3:49
(Bobby Hutcherson)
10. Houston St., Thursday Afternoon (D) 6:29
(Bobby Hutcherson)

DISC THREE
1. Same, Shame (D) 10:20
(Bobby Hutcherson)
2. Love Can Be Many Things (D) 4:47
(James Leary III)
3. Song For Annie (D) 6:27
(Manny Boyd)
4. Laugh, Laugh Again (D) 4:16
(James Leary III)
5. For Heaven's Sake (D) 6:34
(Bretton-Edwards-Meyer)
6. Why Not (E) 5:23
(George Cables)
7. Sundance Knows (E) 6:36
(Eddie Marshall)
8. So Far, So Good (E) 4:40
(James Leary III)
9. Little B's Poem (E) 4:43
(Bobby Hutcherson)
10. 'Til Then (E) 4:06
(Bobby Hutcherson)
11. Knucklebean (E) 7:15
(Eddie Marshall)

(A) Bobby Hutcherson, vibes, marimba; Woody Shaw, trumpet; Harold Land & Manny Boyd, tenor sax, flute; Bill Henderson, piano, electric piano; Ray Drummond, bass; Larry Hancock, drums; Kenneth Nash, percussion.
Recorded at Wally Heider Studios, Los Angeles on April 17 & 18. 1974.
Recording engineer: Ed Barton
Produced by George Butler
Originally issued as CIRRUS (Blue Note BNLA257)

(B) Bobby Hutcherson, vibes, marimba; Oscar Brashear, trumpet; Thurman Green, trombone; Harold Land, tenor sax; Dwight Dickerson, piano: Kent Brinkley, bass; Larry Hancock, drums.
Recorded at United Artists Recording Studios, Los Angeles on March 24 & 25, 1975
Recording engineer: Bert D'Angelo
Produced by Bobby Hutcherson
Originally issued as INNER GLOW (Blue Note (Japan) GXF-3073)

(C) Bobby Hutcherson, vibes, marimba; Manny Boyd, soprano sax; tenor sax; George Cables, piano; James Leary III, bass; Eddie Marshall, drums; Kenneth Nash, percussion.
On "Waiting," Manny Boyd, Hadley Caliman and Mguanda Dave Johnson, flutes are added.
Recorded at Different Fur Music Studios, San Francisco on February 24-26, 1976
Recording engineer: Neil Schwartz
Mixing engineer: Hank Cicalo.
Produced by Dale Oehler
"Convergence" originally issued on FORTY YEARS OF JAZZ - HISTORY OF BLUE NOTE, BOX 5 (Blue Note (Holland) 1A158-83401/4)
All other titles originally issued on WAITING (Blue Note BNLA615)

(D) Bobby Hutcherson, vibes; Manny Boyd, soprano sax, tenor sax; Larry Nash, piano, electric piano; James Leary III, bass; Eddie Marshall, drums.
Recorded at Wally Heider Studios, San Francisco on August 4-6, 1976
Recording engineer: Norm Kinney
Mixing engineer: Hank Cicalo.
Produced by Dale Oehler
Originally issued as THE VIEW FROM THE INSIDE (Blue Note BNLA710)

(E) Bobby Hutcherson, vibes, marimba; Freddie Hubbard, trumpet; Manny Boyd, soprano sax, tenor sax, flute; Hadley Caliman, tenor sax, flute; George Cables, piano, electric piano; James Leary III, bass; Eddie Marshall, drums.
Recorded at Wally Heider Studios, San Francisco on March 1-3, 1977
Recording and mixing engineer: Hank Cicalo.
Produced by Dale Oehler
Originally issued as KNUCKLEBEAN (Blue Note BNLA789)

Produced for release by Michael Cuscuna
Mastered in 24 bit by Ron McMaster

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