Mosaic Records - Mosaic Select: John Carter & Bobby Bradford (MS-036)

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Mosaic Selects
Ltd. Edition 3 CD Sets
Running Low

“While Mosaic never does wrong, this set is absolutely perfect. Three CDs of Andrew Hill, almost all of it previously unheard by the public. While these sessions probably sat in the vaults to lack of commercial viability at the time, they are every bit as good as Hill's contemporary Blue Note releases that have been released. Some of the lineups are chock full of heavy hitter sidemen- Sam Rivers, Lee Morgan, Woody Shaw, etc. Overall the set is a good indicator of the diversity of Hill's compositonal ideas in the late 60s. He is heard in large group settings, trio settings, and most amazingly working with a string quartet. I find the string quartet sessions to be the most remarkable on the set.” - Customer Review

Mosaic Select: Andrew Hill

"A remarkable burst of creativity over a two week span. Of course the Chet Baker reunion is marvelous. The Vinnie Burke strings are a great complement to Mulligan. I have to admit I was a bit worried about it. To be honest, while I love Gerry, I really bought this set for the Annie Ross session. Just fantastic! Her version of "I Feel Pretty" was worth the price for me. Transcendent.” - Customer Review

Mosaic Select: Gerry Mulligan

“ I've been purchasing Mosaic sets since the 90s and this is among my top five. Tyner's vision comes into focus on these sessions--powerful piano, extended modal songs, Eastern influences, and beautiful melodies. Remastering is top-notch as are the sidemen throughout.” - Customer Review

Mosaic Select: McCoy Tyner

Mosaic Singles
Neglected Gems
Running Low

“This is such a great session. It is still so surprising that this lineup of the Messengers is overlooked and underrated. This lineup deserves to be heralded as one of Blakey's best alongside the Golson/Morgan/Timmons/Merritt '58 and the Shorter/Hubbard/Fuller/Walton/Merritt or Workman '61-'64 lineups. And, of course, this set has all of Mosaic's usual exemplary production hallmarks.” - Customer Review

Art Blakey - Hard Bop

“ The mastering on this disc is fantastic. Excellent sonic clarity all around. That, combined with Lloyd's great sense of melody and forward-thinking songwriting make for a satifsying listening experience. Lloyd's cool and progressive style is a joy, and the interplay between all the band members is superb. Tony Williams was one of the funkiest jazz drummers around, too! Buy this and you will find yourself seeking out more Charles Lloyd. Not to be missed! ” - Customer Review

Charles Lloyd - Of Course, Of Course

Track Listing, Personnel & Recording Dates

Mosaic Select: John Carter & Bobby Bradford (MS-036)

Mosaic Select: John Carter & Bobby Bradford (MS-036)
3 CDs - $44.00

DISCOGRAPHY:

Printable Version

Disc One:

1. In the Vineyard (A) 10: 31

            (John Carter)

2. Karen On Monday (A) 6:53

(John Carter)

3. Sticks and Stones (A) 6:18

            (John Carter)

4. The Village Dancers (A) 8:54

            (John Carter)

5. Seeking (A) 6:34

            (John Carter)

6. Song For The Unsung (A) 8:03

            (Bobby Bradford)

7. Sticks and Stones (B) 11:50
            (John Carter)

8. Blues Upstairs (B) 5:47

            (John Carter)

9. Domino (B) 8:30

            (John Carter)

Disc Two:
1. The Village Dancers (B) 8:32

(John Carter)

2. Rosevita’s Dance (D) 12:38
            (Bobby Bradford)

3. Ballad (D) 6:06

            (Bobby Bradford)

4. Circle (C) 8:33

            (John Carter)

5. In A Pretty Place (D) 10:56

(John Carter)
6. Latin (C) 11:18
            (John Carter)

7. The Little Waltz (C) 8:32

            (John Carter)

8. Woodmen Hall Blues (C) 6:08
            (John Carter)

Disc Three:

1. And She Speaks (E) 17:34

(John Carter)
2. Pinch (E) 11:34

(Bobby Bradford)
3. Redwood (E) 5:40

(Bobby Bradford)
4. This Earth Feeling (E) 9:10

(John Carter)
5. Scramble (E) 3:26

(John Carter)

Personnel:

(A) John Carter, alto and tenor sax, clarinet, flute; Bobby Bradford, trumpet; Tom Williamson, bass; Bruz Freeman, drums.

Produced by Jonathan Horwich

Recorded on January 16, 1969 at Occidental College, Los Angeles.

Recorded by John William Hardy and Pete Welding

Originally issued as SEEKING by The New Art Jazz Ensemble (Revelation REV-9)

(B) John Carter, alto and tenor sax, clarinet; Bobby Bradford, trumpet; Tom Williamson, bass; Bruz Freeman, drums.

Produced by John William Hardy

Recorded in early 1969 at Occidental College, Los Angeles

Recorded by John William Hardy

All titles are previously unissued.

(C) John Carter, alto sax, clarinet; Bobby Bradford, trumpet; Bill Henderson, piano; Henry Franklin, bass; Bruz Freeman, drums.
Produced and recorded by John William Hardy

Recorded on November 9, 1971 at Occidental College, Los Angeles

“Circle” was originally issued on SECRETS by John Carter & Bobby Bradford (Revelation REV-18). All other titles are previously unissued.

(D) John Carter, alto sax, clarinet; Bobby Bradford, trumpet; Nate Morgan, piano; Louis Spears, bass; Leon Ndugu Chancler, drums.
Produced by John William Hardy and Jonathan Horwich

Recorded on April 4, 1972 at Occidental College, Los Angeles

Recorded by John William Hardy

Originally issued on SECRETS by John Carter & Bobby Bradford (Revelation REV-18)

(E) John Carter, clarinet; Bobby Bradford, trumpet.

Produced and recorded by Jonathan Horwich

Recorded on July 7, 1979 at Westlake Studios, Los Angeles

All titles are previously unissued.

Produced for release by Jonathan Horwich, International Phonograph Inc.

Analog masters provided courtesy of Revelation Records and International Phonograph Inc.

Analog masters transferred to digital 24/96 by Jonathan Horwich of International Phonograph Inc.

Mixed and mastered by Steve Marlowe, International Phonograph Inc., utilizing Bit Density Processing.

NOTE: The analog masters for SECRETS no longer exist. Disc Two, tracks 2–5 were transferred from the original vinyl to digital 24/96 by Jonathan Horwich.

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