Live at Chautauqua, Volume 2

Mosaic Singles

 

Live at Chautauqua, Volume 2

Limited Edition

1 CD -  $17.98

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Recorded in concert at the Chautauqua Institute in Western New York on July 11, 1968 this release is the follow up to Volume 1. Celebrating the 100th anniversary of her birth, this recording has been painstakingly re-mastered from the original tape. This is the second set of that evening's performance. There is no singer in Fitzgerald's league when she moves from up tempo to ballad to Bossa Nova. Her heartfelt and humorous interactions with the audience are met with thunderous applause. Ella is in superb form. Backed by the fabulous Tee Carson Trio, the group had a tight knit rapport and fed off of each other joyously. Features the only known recording of 'He Had A Dream'.

TRACK LISTING
1. Satin Doll
2.Day In Day Out
3.How Long Has This Been Going On
4.The Girl From Ipanema
5.Just One Of Those Things
6.Mr. Paganini
7.Let's Fall In Love
8.Lady Be Good
9.Mack The Knife
10.Misty
11.He Had A Dream




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Live at Chautauqua, Volume 2
Live at Chautauqua, Volume 2
Limited Edition: Dot Time copies
1 CD - $17.98


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Running Low Sets



Chick Webb & Ella Fitzgerald

Too easily and too often, music of the swing era is disregarded as being "for dancers." Chick and Ella made sure it was for listeners as well. But what's more, Chick's decision to take his unheard-of power, and his orchestra's great musicianship, and lay it all at the feet of a masterful vocalist, made sure his music would be for the ages.

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Duke Ellington

Ellington entered the '30s having perfected his method of using the group to experiment with arranging and orchestrating. He relied on ideas from his musicians, and wrote for them as individuals rather than as anonymous section players. With all that work and a line-up of marvelous, distinctive musical voices, Ellington began the most creative period of his life.

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Charlie Parker

“Fellow pilgrims, the quest for the legendary Dean Benedetti collection has ended. Presented on these 7 CDs, this collection is not for dilettantes. To those, however, who understand and appreciate Parker as a genius, I can unreservedly recommend it.” – Ira Gitler, Jazz Times

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Eddie Condon & Bud Freeman

Harder, faster, more focused on personality and soloing than ensembles, the music attracted others who enjoyed palling around and blowing free. This is jazz that seemed naturally born in smoky back rooms and saloons. And you were always guaranteed a fine time.

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Stan Getz

Chronologically, these sessions for Norman Granz fell just after the quintet dates with Raney, before Getz had risen to the dizzying heights of extreme popularity and when he was still basking in the glow of his stint as part of Woody Herman’s Four Brothers saxophone section.