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Ltd. Edition 3 CD Sets
“While Mosaic never does wrong, this set is absolutely perfect. Three CDs of Andrew Hill, almost all of it previously unheard by the public. While these sessions probably sat in the vaults to lack of commercial viability at the time, they are every bit as good as Hill's contemporary Blue Note releases that have been released. Some of the lineups are chock full of heavy hitter sidemen- Sam Rivers, Lee Morgan, Woody Shaw, etc. Overall the set is a good indicator of the diversity of Hill's compositonal ideas in the late 60s. He is heard in large group settings, trio settings, and most amazingly working with a string quartet. I find the string quartet sessions to be the most remarkable on the set.” - Customer Review
“ I've been purchasing Mosaic sets since the 90s and this is among my top five. Tyner's vision comes into focus on these sessions--powerful piano, extended modal songs, Eastern influences, and beautiful melodies. Remastering is top-notch as are the sidemen throughout.” - Customer Review
“This is such a great session. It is still so surprising that this lineup of the Messengers is overlooked and underrated. This lineup deserves to be heralded as one of Blakey's best alongside the Golson/Morgan/Timmons/Merritt '58 and the Shorter/Hubbard/Fuller/Walton/Merritt or Workman '61-'64 lineups. And, of course, this set has all of Mosaic's usual exemplary production hallmarks.” - Customer Review
“ The mastering on this disc is fantastic. Excellent sonic clarity all around. That, combined with Lloyd's great sense of melody and forward-thinking songwriting make for a satifsying listening experience. Lloyd's cool and progressive style is a joy, and the interplay between all the band members is superb. Tony Williams was one of the funkiest jazz drummers around, too! Buy this and you will find yourself seeking out more Charles Lloyd. Not to be missed! ” - Customer Review
Mosaic Select: Andrew Hill-Solo (MS-023)Mosaic Select
"The music is mellower and warmer than most of Andrew’s prior recorded work, even his previous solo albums. It reflects his state of mind, his environment and his life at that particular point in time." - Michael Cuscuna, liner notes
Limited Edition: 5000 copies
3 CDs - $44.00
When Blue Note released Andrew Hill's label debut Black Fire in March 1964, the jazz community immediately recognized a fresh new voice as bold and distinctive as Thelonious Monk or Herbie Nichols. For the next six years, Hill applied his singular compositional skills to a variety of settings from trio to nonet, even incorporating quartets with string quartets and quintets with six-voice choirs.
So much of Andrew's prime Blue Note recordings had depended on and been written for the interaction of empathetic improvisers, that his first solo recordings Hommage and Live At Montreux, both from 1975, came as a surprise to even his most die-hard fans. Those experiences whetted his appetite for more.
Living in a small Bay Area bedroom community, he began playing a lot of solo concerts at Arts Centers up and down the West Coast. In August and October 1978, he made three trips to the Fantasy Recording Studio in Berkeley for lengthy solo piano sessions. Two extended pieces were issued on the Artists House LP From California With Love. That album quickly became a collector's item when the label folded. Meanwhile over two hours of solo piano music by Andrew remained in the can until Mosaic discovered the session tapes in Hawaii. Now the complete sessions are gathered in this Select.
Hearing a great pianist/composer in solo setting is like eavesdropping on the thought processes of a restless, creative mind. Unfettered by other instruments and input, the artist is free to go wherever his inner logic and imagination take him. Like Thelonious Monk and Randy Weston among others, Andrew Hill's most revealing and fascinating creations are often those made alone at a piano.
Read More About Andrew Hill:
Track Listing, Personnel & Recording Dates »
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"This is subtle music that builds its power slowly and very deliberately. It didn't immediately grab me like, say, Black Fire. Instead, its beauty seeps in and hooks the listener over the course of the set. I listened to the whole thing in one night, and rather than grow restless, I was completely beguiled."
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Limited Edition Photographs
Selected images became the album cover shots for Blue Note's brilliant designer Reid Miles, and are instantly recognized by millions. Now, museum-quality prints in limited editions can be owned forever... But only by a few.
Each image will be made available for one month only. At the end of that month, only the images ordered will be printed and that will be the end of the Limited Edition.