Blasphemy or Genius?
Such are the extreme reactions to something as bold as minimalist composer Max Richter recomposing of Vivaldi’s “Four Seasons” which was recently performed at Le Poisson Rouge (formerly the Village Gate) in Manhattan recently, Is an artistic creation a living a breathing thing that can constantly be redefined and reworked as the world around changes or is it a work etched in marble and frozen in time? Terry Teachout bravely approaches the subject.
-Michael Cuscuna
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