{"id":13493,"date":"2021-10-13T12:09:54","date_gmt":"2021-10-13T16:09:54","guid":{"rendered":"https:\/\/www.mosaicrecords.com\/?post_type=product&#038;p=13493"},"modified":"2024-04-23T18:01:15","modified_gmt":"2024-04-23T22:01:15","slug":"lennie-tristano","status":"publish","type":"product","link":"https:\/\/www.mosaicrecords.com\/product\/lennie-tristano\/","title":{"rendered":"Lennie Tristano Personal Recordings 1946 &#8211; 1970 (#272 &#8211; 6 CDs)"},"content":{"rendered":"[vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overlay_strength=&#8221;0.3&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221; bg_image_animation=&#8221;none&#8221;][vc_row_inner column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/4&#8243; tablet_width_inherit=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221; bg_image_animation=&#8221;none&#8221;][image_with_animation image_url=&#8221;13494&#8243; animation=&#8221;Fade In&#8221; hover_animation=&#8221;none&#8221; alignment=&#8221;&#8221; border_radius=&#8221;none&#8221; box_shadow=&#8221;none&#8221; image_loading=&#8221;default&#8221; max_width=&#8221;100%&#8221; max_width_mobile=&#8221;default&#8221;][\/vc_column_inner][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;3\/4&#8243; tablet_width_inherit=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221; bg_image_animation=&#8221;none&#8221;][vc_column_text]\n<h2 style=\"text-align: center;\">The Most Comprehensive Portrait<br \/>\nOf Tristano\u2019s Musical Genius<\/h2>\n<h3 style=\"text-align: center;\"><strong>Dot Time Records and Mosaic Records are thrilled to announce the release of<br \/>\nLennie Tristano Personal Recordings 1946 \u2013 1970<br \/>\nLimited Edition Box Set (6 CDs)<\/strong><\/h3>\n<p>The recordings come from a trove of material in Tristano\u2019s personal collection &#8212; airchecks, remote wire recordings, live dates preserved by his associates on the bandstand, and tracks laid down at Lennie\u2019s East 32<sup>nd<\/sup> Street studio in New York. Not originally intended for commercial release, they provide an intimate look at Tristano\u2019s range and his unmistakable approach to jazz.<\/p>\n<h3><strong>Astonishing\u00a0 Music<\/strong><\/h3>\n<ul>\n<li>A full disc of solo performances where Tristano\u2019s astounding technical facility and deep pathos is on display.<\/li>\n<li>A six CD set of 74 recordings, the vast majority of which has never appeared on a record.<\/li>\n<li>Trio sessions alongside guitarist Billy Bauer and bassist Arnold Fishkin<\/li>\n<li>Live sextet recordings of Tristano alongside Lee Konitz and Warne Marsh<\/li>\n<\/ul>\n<h3><strong>The Mosaic Treatment<\/strong><\/h3>\n<ul>\n<li>The deluxe box set includes our exclusive booklet with a loving introduction by Carol Tristano<\/li>\n<li>Liner notes and track-by-track appreciation of Tristano\u2019s music by Lenny Popkin<\/li>\n<li>Full size booklet with many rare photographs.<\/li>\n<\/ul>\n[\/vc_column_text][vc_column_text][\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overlay_strength=&#8221;0.3&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221; bg_image_animation=&#8221;none&#8221;][tabbed_section style=&#8221;default&#8221; alignment=&#8221;left&#8221; spacing=&#8221;default&#8221; tab_color=&#8221;Extra-Color-1&#8243; el_class=&#8221;mosaic-tabs&#8221;][tab icon_family=&#8221;none&#8221; title=&#8221;Description &amp; Audio Clips&#8221; id=&#8221;1682689998336-9&#8243; tab_id=&#8221;1682689998336-2&#8243; el_class=&#8221;border-tab&#8221;][vc_row_inner column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/6&#8243; tablet_width_inherit=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221; bg_image_animation=&#8221;none&#8221;][\/vc_column_inner][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;2\/3&#8243; tablet_width_inherit=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221; bg_image_animation=&#8221;none&#8221;][vc_column_text]\n<h2 style=\"text-align: center;\"><b>Uncategorizable Brilliance<\/b><\/h2>\n<p>Lennie Tristano is often miscategorized as a progenitor of the \u201ccool\u201d style of jazz, possibly because his approach was so measured, lyrical, and precise in contrast to the jagged energy of bebop. But the breadth and depth of his playing stretch far beyond that post World War II genre in both directions.<\/p>\n<p>A student from the American Conservatory of Music in Chicago, he started making a name for himself in New York in the mid-1940s, even playing alongside Charlie Parker, Dizzy Gillespie, and Max Roach. The beboppers marveled at his exceptional harmonic gifts, his ability at playing long, intricate solo lines, and his unerring virtuosity. He contributed to the music of Parker and Gillespie without slavishly copying their approach.<\/p>\n<p>His belief that music must express something personal led to his decision to start his own school, stressing that playing jazz needs to entail more than learning chord changes and picking an idol to copy. Tristano began focusing on jazz teaching from a personal studio he established while he was still performing regularly.<\/p>\n<p>That studio (where some of the tracks on this set were recorded) was to be a hub for Tristano for many endeavors \u2013 a first-of-its-kind school of jazz for players at all levels, the domain for his recording and publishing companies, a recording studio, and a place for musicians to play sessions.<\/p>\n<p>His devotion to teaching \u2013 as he himself said, the \u201cmethod and madness\u201d of jazz \u2013 pointed to his strong belief that harmony, ear training, composition, and instrumental technique were all critical components of a fully formed musician &#8211; but all of these elements were to be in the service of personal expression and jazz feeling.<\/p>\n<p>As for what genre his music belongs to, keep in mind that Tristano was always looking ahead. He recorded the first-ever ensemble free jazz, abandoning chord structures and song forms to intuitively follow wherever a motif or phrase could lead, stressing listening over playing. He also used the technique of overdubbing at a time when that idea was so new, and he used it so musically, that most reviewers did not realize what they were hearing.<\/p>\n<p>In his trio of the 1940s, a careful listening reveals the playfulness and passion in his approach to the piano. He has been compared to Art Tatum. Indeed, he has the technique of Tatum and plays with the same panache, but his melodic lines are original and like no other. His block chords were a major influence on Bill Evans. His drive and power, and his fascination with exploding traditional song formats, inspired Cecil Taylor.<\/p>\n<p>In this 6 CD set, you will get to hear Lennie through several decades: From the 1940\u2019s you will hear live performances of his \u201cKeynote\u201d trio featuring Billy Bauer and Arnold Fishkin. From that same decade, you will hear the first recordings of \u201cfree Jazz\u201d recorded at a session with Lennie, Lee Konitz, Warne Marsh and Billy Bauer.<\/p>\n<p>From the 1950s, you will hear \u201cSpectrum\u201d &#8211; a free solo piano piece &#8211; as well as Lennie\u2019s sextet featuring Warne Marsh, Lee Konitz and Billy Bauer in nightclub performances which include a totally free improvisation. Also included are trio recordings created in his 32nd Street studio &#8211; beautifully recorded by Lennie himself.<\/p>\n<p>From the 60s, you will hear him in duo sessions with bass player Sonny Dallas &#8211; as well as solo recordings from the same era that gave us the music on \u201cThe New Tristano\u201d (Atlantic Records). And lastly, from that same decade,<br \/>\nyou will get to hear Lennie in a live performance at the Half Note club in New York City &#8211; both in trio and with guests Lee Konitz and Zoot Sims sitting in for a moving performance of \u201cHow Deep is The Ocean\u201d.<\/p>\n<p style=\"text-align: center;\">&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<\/p>\n<h2 style=\"text-align: center;\">More Music Than Was Released<br \/>\nDuring His Lifetime<\/h2>\n<p><b>Disc 1<br \/>\n<\/b>Features Tristano alongside Billy Bauer and Arnold Fishkin. These live trio recordings from 1946\/1947 were recorded in Long Island, New York and capture the pure synergy, improvisational acuity and playfulness of this tight-knit ensemble. Right away, one notes Tristano\u2019s incredible feel. \u201cAs it is expressed by his playing both as a soloist and playing with others, every note he plays has a personality. Every note is imbued with feeling. In the recordings presented in this set, you will hear that no matter what the tempo, the key, whether he is playing quarter notes, eighth notes, sixteenth notes \u2013 no matter how fast, each note is distinct. Each note has character,\u201d reflects Popkin.<\/p>\n<p><b>Disc 2<br \/>\n<\/b>Features marvelous solo piano recordings of Tristano recorded both at Rudy Van Gelder Studio and at Lennie\u2019s own East 32nd Street studio. The 15 tracks on this disc demonstrate Tristano\u2019s inner world of harmony.<\/p>\n<p><b>Disc 3<br \/>\n<\/b>Features live sextet recordings of Tristano alongside Lee Konitz, Warne Marsh, Billy Bauer, bassists Arnold Fishkin and Joe Shulman, and drummer Jeff Morton. This marks the first recorded performance of a group of jazz musicians performing free jazz in front of an audience in a club. Lennie Tristano\u2019s daughter and co-producer of this album, Carol Tristano indicates that \u201che embodies that link between free playing and swinging jazz.<\/p>\n<p>The free playing of these four musicians together has, to this day, almost no parallel. It is not random, nor is it instant composing. It is rooted in jazz feeling and being created completely spontaneously in the moment. The result is no experiment! Each piece tells a story and is great music of the highest order. You may find it can remind you of what it\u2019s like to listen to a great composition \u2014 but it\u2019s not composed \u2014 that\u2019s the magic of it!\u201d<\/p>\n<p><b>Disc 4<br \/>\n<\/b>Features Tristano playing straight-ahead jazz with two fantastic trios both with Peter Ind on bass, one with drummer Tom Wayburn, the other with drummer Al Levitt. \u201cThe trio sides with Peter Ind, Tom Weyburn and Al Levitt are among my favorites. Lennie with a rhythm section \u2014 wowing you with his lyrical prowess, doing that thing that great musicians can do \u2014 compelling your ear into a state of pure pleasure! No matter how many times you hear a great solo, it will affect you the same, if not more, every time,\u201d shared Carol.<\/p>\n<p><b>Disc 5<br \/>\n<\/b>Contains duos and trios with bassist Sonny Dallas and drummer Nick Stabulas. The duo tracks capture the attentive listening of two friends and musicians eager to create beautiful music together, and the trio tracks demonstrate the rare interplay of three musicians who are connected to each other\u2019s every melodic refrain and harmonic exploration.<\/p>\n<p><b>Disc 6<br \/>\n<\/b>Begins with a groundbreaking free jazz session from 1948 featuring Lee Konitz, Warne Marsh, Billy Bauer. The recording predates Tristano\u2019s historic Capitol sides &#8220;Intuition&#8221; and &#8220;Digression&#8221; as well as iconic free jazz recordings of the late 50\u2019s\/early 60\u2019s by other artists that so often receive the acclaim for Tristano\u2019s early innovation.<\/p>\n<p>Following the free set from 1948 is Lennie in a live performance at the Half Note club in New York City c.1962 \u2013 both in trio and with guests Lee Konitz and Zoot Sims sitting in for a moving performance of \u201cHow Deep is The Ocean\u201d.[\/vc_column_text][vc_zigzag el_width=&#8221;70&#8243;][vc_column_text]\n<h2 style=\"text-align: center;\">Audio Clips<\/h2>\n<p>Lenny Popkin\u2019s superb mastering has given us six thrilling CDs of Lennie Tristano\u2019s music. Each CD presented its own set of challenges. I don\u2019t believe there\u2019s another person who could have accomplished this. As well as his technical expertise as an engineer, it required Lenny\u2019s great ears and profound love for this music. We have him to thank for restoring what at times was literally like a jigsaw puzzle. In particular, his restoration of the trio sets with Billy Bauer and Arnold Fishkin was nothing short of heroic. Working from wire recordings and acetate discs, he has managed to restore the artistic flow and integrity of these recordings. Experiencing this trio in a live setting is wondrous!\u00a0<span class=\"Apple-converted-space\"> &#8211; Carol Tristano<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/6&#8243; tablet_width_inherit=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221; bg_image_animation=&#8221;none&#8221;][\/vc_column_inner][\/vc_row_inner][vc_column_text][\/vc_column_text][vc_row_inner column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/2&#8243; tablet_width_inherit=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221; bg_image_animation=&#8221;none&#8221;][image_with_animation image_url=&#8221;13494&#8243; animation=&#8221;Fade In&#8221; hover_animation=&#8221;none&#8221; alignment=&#8221;&#8221; border_radius=&#8221;none&#8221; box_shadow=&#8221;none&#8221; image_loading=&#8221;default&#8221; max_width=&#8221;100%&#8221; max_width_mobile=&#8221;default&#8221;][\/vc_column_inner][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/2&#8243; tablet_width_inherit=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221; bg_image_animation=&#8221;none&#8221;][vc_column_text]New Pennies<\/p>\n<!--[if lt IE 9]><script>document.createElement('audio');<\/script><![endif]-->\n<audio class=\"wp-audio-shortcode\" id=\"audio-13493-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.mosaicrecords.com\/wp-content\/uploads\/2021\/10\/1.-New-Pennies.mp3?_=1\" \/><a href=\"https:\/\/www.mosaicrecords.com\/wp-content\/uploads\/2021\/10\/1.-New-Pennies.mp3\">https:\/\/www.mosaicrecords.com\/wp-content\/uploads\/2021\/10\/1.-New-Pennies.mp3<\/a><\/audio>\n<p>Palo Alto Days<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-13493-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.mosaicrecords.com\/wp-content\/uploads\/2021\/10\/2.-Palo-Alto-Days.mp3?_=2\" \/><a href=\"https:\/\/www.mosaicrecords.com\/wp-content\/uploads\/2021\/10\/2.-Palo-Alto-Days.mp3\">https:\/\/www.mosaicrecords.com\/wp-content\/uploads\/2021\/10\/2.-Palo-Alto-Days.mp3<\/a><\/audio>\n<p>Sax Of A Kind<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-13493-3\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.mosaicrecords.com\/wp-content\/uploads\/2021\/10\/3.-Sax-Of-a-Kind.mp3?_=3\" \/><a href=\"https:\/\/www.mosaicrecords.com\/wp-content\/uploads\/2021\/10\/3.-Sax-Of-a-Kind.mp3\">https:\/\/www.mosaicrecords.com\/wp-content\/uploads\/2021\/10\/3.-Sax-Of-a-Kind.mp3<\/a><\/audio>\n<p>Trio Lines<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-13493-4\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.mosaicrecords.com\/wp-content\/uploads\/2021\/10\/10-Trio-LInes.m4a?_=4\" \/><a href=\"https:\/\/www.mosaicrecords.com\/wp-content\/uploads\/2021\/10\/10-Trio-LInes.m4a\">https:\/\/www.mosaicrecords.com\/wp-content\/uploads\/2021\/10\/10-Trio-LInes.m4a<\/a><\/audio>\n<p>Pinochle Jump<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-13493-5\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.mosaicrecords.com\/wp-content\/uploads\/2021\/10\/5.-Pinochle-Jump.mp3?_=5\" \/><a href=\"https:\/\/www.mosaicrecords.com\/wp-content\/uploads\/2021\/10\/5.-Pinochle-Jump.mp3\">https:\/\/www.mosaicrecords.com\/wp-content\/uploads\/2021\/10\/5.-Pinochle-Jump.mp3<\/a><\/audio>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/4&#8243; tablet_width_inherit=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221; bg_image_animation=&#8221;none&#8221;][\/vc_column_inner][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/2&#8243; tablet_width_inherit=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221; bg_image_animation=&#8221;none&#8221;][vc_column_text]\n<h3 style=\"text-align: center;\"><strong>As with all Mosaic sets, our release is extremely limited.<\/strong><\/h3>\n<h3 style=\"text-align: center;\"><strong>When they are sold out, this music goes back into the vaults. Please don\u2019t miss out on this opportunity to fall under Tristano\u2019s spell.<\/strong><\/h3>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/4&#8243; tablet_width_inherit=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221; bg_image_animation=&#8221;none&#8221;][\/vc_column_inner][\/vc_row_inner][\/tab][tab icon_family=&#8221;none&#8221; title=&#8221;Discography&#8221; id=&#8221;1682689998508-9&#8243; tab_id=&#8221;1682689998508-10&#8243; el_class=&#8221;border-tab&#8221;][vc_column_text]LENNIE TRISTANO PERSONAL RECORDINGS 1946-1970 (Mosaic MD6-272)<\/p>\n<p>DISC ONE:<br \/>\nTrio With Billy Bauer \u2013 Live Performances<br \/>\n1.Rhythm (A) 3:22<br \/>\n2. Lennie\u2019s Song (A) 4:12<br \/>\n3. Surrender (A) 3:14<br \/>\n4. Stream Line (A) 2:42<br \/>\n5. Day And Night (A) 3:12<br \/>\n6. Rhapsody (B) 3:16<br \/>\n7. Three For Tea (C) 4:42<br \/>\n8. Streamin\u2019 (C) 7:09<br \/>\n9. Depend On Me (C) 7:19<br \/>\n10. Just Fine (C) 5:59<br \/>\n11. September Rain (D) 4:21<br \/>\n12. Mystery (E) 2:04<br \/>\n13. Under Your Spell (E) 3:19<br \/>\n14. Cosmology (E) 2:34<br \/>\n15. Restoration (F) 2:33<\/p>\n<p>DISC TWO<br \/>\nSolo Piano<br \/>\n1.Spectrum (G) 1:52<br \/>\n2. New Pennies (H) 5:14<br \/>\n3. Lennie\u2019s Blues (H) 4:18<br \/>\n4. Dusk (H) 2:39<br \/>\n5. These Foolish Things (H) 3:04<br \/>\n(Strachey-Marvell-Link)<br \/>\n6. Tania\u2019s Dance (H) 1:51<br \/>\n7. Call It Love (H) 4:36<br \/>\n8. C Minor Fantasy (H) 1:48<br \/>\n9. No Foolin\u2019 (H) 3:34<br \/>\n10. When Your Lover Has Gone (H) 2:32<br \/>\n(E. A. Swan)<br \/>\n11. Bud Line (H) 1:39<br \/>\n12. Studio Time Medley (H) 4:42<br \/>\n13. Palo Alto Days (H) 2:52<br \/>\n14. Foolish Again (H) 2:17<br \/>\n15. The Avenue (H) 1:43<br \/>\nThursday Suite:<br \/>\n16) Sonnet (I) 4:35<br \/>\n17) Swing Time (I) 3:26<br \/>\n18) Love Chords (I) 3:57<\/p>\n<p>DISC THREE<br \/>\nSextet \u2013 Live Performances<br \/>\n1.Live Free (J) 1:58<br \/>\n2. Sound-Lee (J) 9:47<br \/>\n(Lee Konitz)<br \/>\n3. Lennie\u2019s Changes (J) 10:27<br \/>\n4. Ice Cream Konitz (J) 10:03<br \/>\n(Lee Konitz)<br \/>\n5. Fishin\u2019 Around (J) 11:15<br \/>\n(Arnold Fishkin)<br \/>\n6. Band Excerpt (K) 5:17<br \/>\n7. You go to my head (L) 4:39<br \/>\n(J. F. Coots-H. Gillespie)<br \/>\n8. Sax of a kind (L) 5:20<br \/>\n(L. Konitz-W. Marsh)<\/p>\n<p>DISC FOUR<br \/>\nTrio Sessions<br \/>\n1.Lennie\u2019s Lines (M) 5:36<br \/>\n2. My Melancholy Baby (M) 7:45<br \/>\n(Norton-Watson-Burnett)<br \/>\n3. Oceans Deep (M) 4:04<br \/>\n4. That Trading Feeling (M) 5:48<br \/>\n5. You Go To My Head (M) 6:55<br \/>\n(J. F. Coots-H. Gillespie)<br \/>\n6. London Blues (M) 4:19<br \/>\n7. There Will Never be Another You (M) 5:12<br \/>\n(H. Warren-M. Gordon)<br \/>\n8. Session Wave (N) 5:59<br \/>\n9. Movin\u2019 Along (N) 3:51<br \/>\n10. Trio Lines (N) 7:42<br \/>\n11. Lennie\u2019s Place (N) 6:41<\/p>\n<p>DISC FIVE:<br \/>\nDuos And Trios With Sonny Dallas<br \/>\n1. Duo Days (O) 4:55<br \/>\n2. Dream Sequence (O) 7:09<br \/>\n3. Melancholy Up (O) 5:08<br \/>\n4. Forever Lines (O) 10:18<br \/>\n5. Friends (O) 4:16<br \/>\n6. You Go To My Head (O) 9:45<br \/>\n(J. F. Coots-H. Gillespie)<br \/>\n7. I Should Care (P) 7:18<br \/>\n(Cahn-Stordahl-Weston)<br \/>\n8. Lennie\u2019s Groove (P) 9:14<\/p>\n<p>DISC SIX<br \/>\n1948 Free Session<br \/>\n1. Transformations (Q) 2:30<br \/>\n2. Dialogue (Q) 2:28<br \/>\n3. Digression Expanse (Q) 3:11<br \/>\n4. Pinochle Jump (Q) 2:00<br \/>\n5. Story (Q) 3:12<br \/>\n6. Ensemble Tune (Q) 2:17<br \/>\n7. Formation (Q) 3:30<br \/>\nLive At The Half Note<br \/>\n8. Sonny\u2019s Variation (R) 1:07<br \/>\n9. Swingin\u2019 at the Half Note (R) 8:41<br \/>\n10. Lennie\u2019s Dream (R) 7:09<br \/>\n11. Smilin\u2019 Groove (R) 5:09<br \/>\n12. Mine (R) :51<br \/>\n13. Hudson Street (R) 9:06<br \/>\n14. How Deep is the Ocean (S) 10:41<br \/>\n(Irving Berlin)<\/p>\n<p>All tunes by Lennie Tristano, Lifeline Jazz Inc. ASCAP, except where otherwise noted<\/p>\n<p>\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/<br \/>\nPersonnel listed below.<br \/>\nAll material is previously unreleased except for (L)<\/p>\n<p>A: Billy Bauer, guitar; Arnold Fishkin, bass.<br \/>\nWhite\u2019s Restaurant, Freeport, Long Island, 1946<\/p>\n<p>B: bassist unknown.<br \/>\nDave Garroway show, NYC, October 26, 1947<\/p>\n<p>C: Billy Bauer, guitar; Arnold Fishkin, bass.<br \/>\nValley Stream, Long Island, c. 1947<\/p>\n<p>D: Billy Bauer, guitar; Arnold Fishkin, bass<br \/>\nVenue unknown, c. 1947<\/p>\n<p>E: Billy Bauer, guitar, bassist unknown<br \/>\nBandstand U.S.A. air shots, NYC, August 21, 1948<\/p>\n<p>F: Billy Bauer, guitar, Arnold Fishkin, bass.<br \/>\nNYC, December 23, 1947<\/p>\n<p>G. solo piano<br \/>\nVan Gelder Studio, Hackensack, NJ, 1952<\/p>\n<p>H. solo piano<br \/>\nLennie\u2019s studio. Palo Alto Street, Hollis, NY, c. 1962<\/p>\n<p>I. solo piano<br \/>\nLennie\u2019s studio. Palo Alto Street, Hollis, NY, October 15, 1970<br \/>\nJ. Lee Konitz, alto saxophone; Warne Marsh, tenor saxophone; Billy Bauer, guitar; Arnold Fishkin, bass; Jeff Morton, drums.<br \/>\nOrchid Room, 1950<\/p>\n<p>K. Same personnel as J.<br \/>\nSoldier Meyers, 1949-\u201850<\/p>\n<p>L. same personnel as above, except Joe Shulman, bass replaces Fishkin.<br \/>\n\u201cVoice Of America\u201d Carnegie Hall, NYC, December 24, 1949<\/p>\n<p>M. Peter Ind, bass; Tom Wayburn, drums<br \/>\nE. 32nd Street Studio, 1956<\/p>\n<p>N. Peter Ind, bass; Al Levitt, drums<br \/>\nE. 32nd Street Studio, mid \u201950s<\/p>\n<p>O. Sonny Dallas, bass<br \/>\nLennie\u2019s studio. Palo Alto Street, Hollis, NY, mid \u201960s<\/p>\n<p>P. Sonny Dallas, bass; Nick Stabulas, drums<br \/>\nLennie\u2019s studio. Palo Alto Street, Hollis, NY, 1966<\/p>\n<p>Q Lee Konitz, alto saxophone, Warne Marsh, tenor saxophone, Billy Bauer, guitar<br \/>\nLennie\u2019s house, Flushing, NY, 1948<\/p>\n<p>R. Sonny Dallas, bass, Nick Stabulas, drums<br \/>\nThe Half Note, NYC, c. 1962<\/p>\n<p>S. Lee Konitz, also saxophone, Zoot Sims, tenor saxophone, Sonny Dallas, bass, Nick Stabulas, drums<br \/>\nThe Half Note, NYC, c. 1962<\/p>\n<p>\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/<\/p>\n<p>The wire recordings, CD 1, tracks 7-11, CD 3, tracks 1-5, CD 6, tracks 1-7 : recorded by Billy Bauer.<br \/>\nCD 2, track 1 recorded by Rudy Van Gelder<br \/>\nCD 2, tracks 2-15 recorded by Lennie Tristano, tracks 16-18 recorded by Lenny Popkin.<br \/>\nCD 4 and CD 5: Recording engineer: Lennie Tristano.<\/p>\n<p>Produced by Jerry Roche, Carol Tristano, Lenny Popkin<br \/>\nMastering by Lennie Popkin<br \/>\nExecutive Producer: Michael Cuscuna<br \/>\nSound and Audio Restoration: Lenny Popkin<br \/>\nCDs mastered by Lou Gimenez at The Music Lab, Elmont , NY[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overlay_strength=&#8221;0.3&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221;&#8230;<\/p>\n","protected":false},"featured_media":13494,"template":"","meta":[],"product_cat":[63,59],"product_tag":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Lennie Tristano Personal Recordings 1946 - 1970 (#272 - 6 CDs) - Mosaic Records Limited edition<\/title>\n<meta name=\"description\" content=\"Even in a world shaped by iconoclastic creative geniuses, Lennie Tristano stood out. 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