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Ltd. Edition 3 CD Sets
“While Mosaic never does wrong, this set is absolutely perfect. Three CDs of Andrew Hill, almost all of it previously unheard by the public. While these sessions probably sat in the vaults to lack of commercial viability at the time, they are every bit as good as Hill's contemporary Blue Note releases that have been released. Some of the lineups are chock full of heavy hitter sidemen- Sam Rivers, Lee Morgan, Woody Shaw, etc. Overall the set is a good indicator of the diversity of Hill's compositonal ideas in the late 60s. He is heard in large group settings, trio settings, and most amazingly working with a string quartet. I find the string quartet sessions to be the most remarkable on the set.” - Customer Review
"A remarkable burst of creativity over a two week span. Of course the Chet Baker reunion is marvelous. The Vinnie Burke strings are a great complement to Mulligan. I have to admit I was a bit worried about it. To be honest, while I love Gerry, I really bought this set for the Annie Ross session. Just fantastic! Her version of "I Feel Pretty" was worth the price for me. Transcendent.” - Customer Review
“ I've been purchasing Mosaic sets since the 90s and this is among my top five. Tyner's vision comes into focus on these sessions--powerful piano, extended modal songs, Eastern influences, and beautiful melodies. Remastering is top-notch as are the sidemen throughout.” - Customer Review
“This is such a great session. It is still so surprising that this lineup of the Messengers is overlooked and underrated. This lineup deserves to be heralded as one of Blakey's best alongside the Golson/Morgan/Timmons/Merritt '58 and the Shorter/Hubbard/Fuller/Walton/Merritt or Workman '61-'64 lineups. And, of course, this set has all of Mosaic's usual exemplary production hallmarks.” - Customer Review
“ The mastering on this disc is fantastic. Excellent sonic clarity all around. That, combined with Lloyd's great sense of melody and forward-thinking songwriting make for a satifsying listening experience. Lloyd's cool and progressive style is a joy, and the interplay between all the band members is superb. Tony Williams was one of the funkiest jazz drummers around, too! Buy this and you will find yourself seeking out more Charles Lloyd. Not to be missed! ” - Customer Review
Verve/Philips Dizzy Gillespie Small Group Sessions (#234)Mosaic Records Limited Edition Box Set
“Many of the performances on this limited edition box set are essential. This is the perfect way to acquire a generous batch of timeless music from the great Dizzy Gillespie.” – Scott Yanow, Los Angeles Jazz Scene
Limited Edition: 10000 copies
7 CDs - $119.00
With One Of The Music's Originators.
At long last, we have obtained the rights to a cache of music by Dizzy Gillespie, much of it available for the first time on CD, and some for the first time anywhere. And fortunately, for the select group of jazz fans that will snap up this release, the music represents a time in Dizzy's career when he was peaking creatively.
These sessions document unequivocally why Dizzy Gillespie is still considered one of the greatest improvisers in the history of jazz, for his mastery of the instrument, his command of time, his control over musical ideas, and his ability to entertain. He was blessed during this period, which spans 1954 to 1963, with stellar sidemen, unparalleled arrangements, and a surge of excitement for making music.
The small group sessions are the focus of this set, and they contain a bounty of his fine soloing, outstanding arrangements, and deft support players. While he was already considered a veteran thanks to the importance of his innovations, The New Yorker's jazz critic assessed him again and declared that is was "playing with far more subtlety and invention than any time in his past."
In some of the settings, Gillespie shared powerful front line duty; others provided him with support for more solo-spot pyrotechnics. Among the musicians prominently featured are rising star (in 1954) on tenor, Hank Mobley, and the virtually unknown drummer Charlie Persip, who became Dizzy's backbone for close to five years.
As the Verve relationship continued, Gillespie continued to tinker and experiment, commissioning challenging charts from youngsters Benny Golson and Gigi Gryce (who also played alongside the trumpeter). And he continued to solo with coy, playful abandon, at times swarthy and grounded, at other times intense and ruminative, often sweet and sexy, always fiery and assertive, and ever able to locate on the spot notes you can't imagine he has found.
Among the recordings is a 1959 tour de force featuring pianist Junior Mance on "Willow Weep for Me." And an extraordinary guest spot from Johnny Hodges that pushed Gillespie to his own peak of imagination and power.
Perhaps the most astonishing revelation in the set is the work of Gillespie's 1963 quintet featuring James Moody on flute, alto and tenor saxophones; nineteen-year-old Kenny Barron on piano; Chris White on bass; and Rudy Collins on drums. Critics have ranked it second only to his classic 1945 quintet.
The seven CDs which comprise this boxed set showcase include much material that has never been available on CD. Eleven tracks have never been available ever.
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“After his partnership with Parker perhaps this is the best and most consistent body of Gillespie's small group work. Here he was at his most mature as a soloist - thoughtful rather than blazing is perhaps the dominant motif, but he does let fly when the occasion requires. His half-chorus break on Night In Tunisia must be one of his best moments on record." - Steve Voce, Jazz Journal International.
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Included in the large sized booklet are 17 photographs by Chuck Stewart, Popsie Randolph and Francis Wolff among others.